Sickboy: Stay Free (Whitehot Magazine of Contemporary Art)

One more Sickboy article. Here's a link to some more stuff I wrote about his Stay Free show.

Sickboy: Stay Free
Chris Osburn
Whitehot Magazine of Contemporary Art
January 2009

Not content to simply wow exhibition goers with a retrospective of his best street and studio work, prolific London graffiti artist, Sickboy (whom we interviewed back in February 08), saw his recent solo show, Stay Free, as an opportunity to give something back to his fans in the way of offering his massive Stay Free Factory installation as a prize to one lucky exhibition visitor. During the December 4th through 10th run of the Stay Free exhibition, a thousand golden keys were released to the exhibition visitors with the person whose key fit the lock becoming the new owner of the Stay Free Factory (worth an estimated £20,000).

See more pics and read the complete Sickboy: Stay Free review at Whitehot Magazine of Contemporary Art.

Sickboy Interview for Whitehot Magazine

Sickboy Interview
Words and photography by Chris Osburn
whitehot magazine of contemporary art
February 2008










Being a frustrated teenager, I needed an outlet other than drug experimentation, and graffiti was a very enticing world. Manchester at the time had a strong scene with Hulme and a lot of tagging going on. It just seemed a little edgier than art class.

Click here for complete interview.

Invisible Art Club Interview for Whitehot Magazine

Chris Osburn Interviews the Invisible Art Club

Chris Osburn
whitehot magazine of contemporary art
December 2007













The Invisible Art Club is a group of individuals with a shared love of art. Our common link is a connection to graffiti and street art. From graf writers who started 20 years ago and are still going strong, to artists who have hung up their spray cans and moved on to other mediums to artists from a more traditional background who simply happen to hang out with a lot of street artists. With our wide range of influences and experience, we bring fresh styles and perspectives to the print world.

Click here for complete interview.

Interview with London street artist, Cyclops

Chris Osburn interviews Cyclops
by Chris Osburn (with photography by Marta Abalau)
whitehot magazine of contemporary art
May 2007










I like painting on the street because there's more democracy. You can just do your thing; you don't have to pay for gallery space or be curated or any of that. You just do your thing, where you like, how you like, and then it's out there. You haven't been paid and anyone can fuck it up or be inspired on the way to work by what you've made. And, once it's up, that's it: It doesn't belong to you any more.

Click here for complete interview.