Chris Osburn Graffiti Photography Exhibition at West Yorkshire Playhouse in Leeds
Banksy, Cyclops, Dan Witz, Sickboy and Sweet Toof.



Not only the world’s most famous graffiti stencil artist, England’s own beloved Banksy is also one heck of a studio artist. Don’t believe us (or any of the hype surrounding Banksy)? See for yourself at Andipa Gallery, where – starting this Friday – many of Banksy’s works is to be on view.
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Banksy Exhibition at Andipa Gallery, London
by Chris Osburn
Juxtapoz
February 27, 2008
... the bulk of exhibition is comprised of studio pieces which are very much available for purchase, if you've got the funds. For instance, an exceptional acrylic on canvas painting titled Sharks has a price tag of around £40,000 (yep, that's roughly $80,000).
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Labels: Art, Banksy, Blogs, Chris Osburn, Events, Galleries, Graffiti, Juxtapoz, London, London Short Film, Londonist, Media, Photography, South Kensington, Vlog, YouTube
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We sold it at Bonhams in the world's first urban art auction because we need the money to pay off a debt. We're both practical about it because we've got no ...
Banksy's portrait of Kate Moss sells for US$191000
PR-Inside.com (Pressemitteilung), Austria - Feb 6, 2008
«By definition (urban art) is an ephemeral art form, often disappearing as fast as it appears,» Gareth Williams, senior picture specialist at Bonhams. ...
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Thanks to Banksy, there's money - lots of it - in illegal wall painting. But can artists who made their names on the streets keep their credibility when the galleries flash their cash?
Introduction by Charles Darwent
The Independent on Sunday (The New Review)
Sunday, 3 February 2008
All of which is to say that graffiti art is a genre with strict rules. To write well is not enough. Respect is earned through a combination of skill and notoriety, the last – pace Ozone – based on a daredevil disregard for personal safety. Aroe once pulled the emergency cord on a packed Madrid metro and sprayed the train while it stood in the tunnel: "That," he says, flatly, "got me my name." This willingness to risk death is part of graffiti's aesthetic, visible to other writers and "the roughnecks in the street" – you and me – who see the end product. We're not talking conventional art appreciation here. "The point," Aroe says, "is to annoy the greatest number of people you can."
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