Interview with London street artist, Cyclops
Chris Osburn interviews Cyclops
by Chris Osburn (with photography by Marta Abalau)
whitehot magazine of contemporary art
May 2007
I like painting on the street because there's more democracy. You can just do your thing; you don't have to pay for gallery space or be curated or any of that. You just do your thing, where you like, how you like, and then it's out there. You haven't been paid and anyone can fuck it up or be inspired on the way to work by what you've made. And, once it's up, that's it: It doesn't belong to you any more.
Click here for complete interview.
by Chris Osburn (with photography by Marta Abalau)
whitehot magazine of contemporary art
May 2007
I like painting on the street because there's more democracy. You can just do your thing; you don't have to pay for gallery space or be curated or any of that. You just do your thing, where you like, how you like, and then it's out there. You haven't been paid and anyone can fuck it up or be inspired on the way to work by what you've made. And, once it's up, that's it: It doesn't belong to you any more.
Click here for complete interview.
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